By Steve Weddle
Mollie Cox Bryan, freelance writer and cookbook author, stopped by DSD HQ to talk about her debut mystery, SCRAPBOOK OF SECRETS (Kensington).
Q:
One of my favorite writers, Haruki Murakami, wrote a book called What I Talk About When I Talk About Running. I’m not terribly fond of exercise, but I especially hate running. What am I missing out on? Does it help the writing process?
A:
For me, almost any kind of exercise helps with the writing process. It helps clear away the morning cobwebs in my brain. I started running a few years ago, but all of my life I’ve been a physical person. Dancer. Gymnast. Yogini. Now, I have fallen in love with Zumba! But I still run every other day.
I was at a writer’s conference a few years ago where there were a lot of older writers dealing with a variety of ailments, which were not helped by the sedentary lifestyle. It’s so important that we move—yet our work plants us in front of the computer for long hours at a time. So I’ve vowed to myself to keep moving.
Q:
I’m sure you’ve been asked this and have already given it a great deal of thought, but what are the similarities between making a scrapbook and writing a novel? I’d guess you’re looking for themes, motifs, unifying images.
A:
Absolutely. Scrapbooking is visual storytelling. In SCRAPOOK OF SECRETS, the women are gathering photos to make scrapbooks for Maggie Rae’s children, knowing how precious those books will be to them as they age. But they are also piecing together her life—or at least several part of her life: mother, daughter, writer, and yes, those little secret parts that nobody knew about. For me, writing is a lot like that, too. At the very beginning of an idea for a story, I’m just writing about images, piecing them together, creating a character’s life.
Q:
As a freelance writer, what was one of the strangest projects you ever had?
A:
Writing about fainting goats. They really do faint when they are startled or scared. It was kind of troubling to see it.
Q:
What is your favorite room in your house?
A:
I love my kitchen. I love to cook and bake, of course, and I feel so comfortable in the kitchen. Anybody's kitchen, really. It's not a fancy kitchen—it fact it still has brown appliances in it from the 1970s. But it is a kitchen where there is enough room to dance. I crank the music and dance when I cook. Doesn't everybody?
Q:
How was the process of writing to publication for you? Did things fall neatly into place? You take write a book, get an agent, then get a book deal?
A:
I really lucked out with this. I am a cookbook author whose agent took on a partner that also sold fiction. So, I mentioned I was working on a novel and she sent me to her partner, who really helped me out. I wrote the book during National Novel Writing Month, sort of towards the end of promoting my pie book. Several drafts later, my agent took it and sold it—probably within six months of my actually finishing it.
Q:
I heard somewhere that Ellen Crosby writes a draft of a novel, then tosses it and starts from scratch on the next draft. She may go through a dozen drafts. She’s completely bonkers, right? What’s your revision process like?
A:
I like Ellen, and yes she’s a little bonkers, but we all love that about her, right? No seriously. If it works for her, who I am to judge, really? She knows what she’s doing.
My process is very organic. I have no idea who the killer is, for example, when I first begin to write. I figure it out about half way through. After I’m finished with the first draft, I like to let it sit and stew. Then I go back and rework some things that will help for story to make sense—I’ll add more clues in, or more red herrings, now that I know who the killer actually is.
I am a somewhat “sparse” writer and always come in under my word count goal. So, my third draft is usually about expanding the story.
After my third draft, I solicit readers. I have at least two people read and comment. Then I go back and rework based on that.
Q:
You’ve been to book readings and signings. I’d guess some were better than others. From a reader’s point of view, what makes for a good author event? What about from a writer’s point of view?
A:
As a reader, I like to hear the author speak about something a little personal—not too personal, though. It’s a tricky balance. It’s about connection. I had the chance to see Barbara Kingsolver when I lived in Northern Virginia. I know she read from her book, but what I remember the most were the personal tidbits she offered.
As an author, I love when people chat with me about books and writing. It’s not just about buying my books—though that would be lovely—but it’s also about that connection, of becoming a real person to them, not just a mysterious someone who pecks away at the keyboard. It works the other way around, too. I try to write and edit with my readers in mind—but in order to do that, I need to know them, as well.
Q:
Who are some of the under-the-radar authors folks should be paying attention to?
A:
I’m not sure I’m the person to ask these days—I’ve been so busy writing and promoting. But I have a friend, Inman Majors, who’s a fiction writer that has met with some commercial success—mostly literary. I have not read his upcoming novel, Love’s Winning Plays, but I think it’s going to be a real breakout book for him. I know how he writes and I know the subject matter and I’m thinking it’s going to be exciting. I can’t wait to get my hands on that book. But once again, I’ve not actually read it.
Q:
I’ve watched your new book, Scrapbook of Secrets, climb up the Amazon rankings the past weeks. What’s the book about and why are people connecting to it?
A:
The book is set in a small Southern town and centers on a group of women who get together to scrapbook gossip, eat, and, of course, solve murders. A young mother’s apparent suicide has them all searching for answers. They find her empty scrapbooks and boxes of photos on the curb for the trash collector and rescue them. They decide to make scrapbooks for her children—and in doing so uncover secrets about Maggie Rae and her death.
As to why people are connecting with it, I hope they are relating to the characters—they are probably just like people you know. I also hope the story touches people. Beyond all the scrapbooking and the other themes of the book, there’s a story that resonates. Also people like these cozy mysteries because everything comes together in the end, which is often not the case in real life. So I think even though the book is sad—after all there is a murder, someone’s life has been taken—it’s also satisfying because there is a justice at the end.
Find out more about MCB at her website.
Wednesday, February 22, 2012
A Scrappy New Mystery
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Tuesday, February 21, 2012
The Five Rules of the Internet
I've been thinking about this a lot lately. As you know, the rise of social media, along with message boards and screen names have done a lot to promote anonymous hate and complaining. Sometimes you can log on only to find people whining and whining and whining about the smallest things.
So, I try to go by 5 rules on social media.
1. Pick Your Battles: My battle is education. I'm a teacher along with the whole wanting to be a writer thing. Unless you've been sleeping under a rock, you know that education is at a strange tipping point. The right want to pare down public education and make it mostly private. I disagree. This is my fight. This is what I try to keep my protesting to online. Everything in the world is not horrible, so stop acting like it is.
2. Talk about things you love: Rutgers basketball, movies, Doctor Who, books. I try to keep my topics positive. I want to enjoy my time on the internet, not run to it when it's time to whine. The use of the word awesome brightens my day. (And not in the form of "Well, this is an awesomely bad idea.")
3. Observe the Two Week Rule: Ah, the 2 week rule. Just remember that anytime there's an internet controversy, it'll be forgotten about in 2 weeks. People will find other things to whine about. So, unless it's major (sayyyyy the Governor of NJ comes up with a loophole to turn all schools private in 8 seconds), it's very rarely worth spending a day and a half complaining about.
4. Odds Are, You Aren't Going to Fix It: You can spout off all you want. It ain't going to change because of the internet. You may be able to use the internet to save your favorite TV show. And people have used social media to organize. But complaining on the internet is like complaining to the mirror. Nothing's changing.
5. Be More Funny: Even when things bug me, I try to add a sense of humor to the situation. I'm sarcastic, but I try not to be mean (the couple of times I've been mean, I've gotten in trouble). Tell jokes, mock, be snarky... but don't just flat out complain.
I'm sure I've broken a few of these rules at times. Everyone does. But for the most part, keeping this in my mind helps keep me sane amongst the noise.
So, I try to go by 5 rules on social media.
1. Pick Your Battles: My battle is education. I'm a teacher along with the whole wanting to be a writer thing. Unless you've been sleeping under a rock, you know that education is at a strange tipping point. The right want to pare down public education and make it mostly private. I disagree. This is my fight. This is what I try to keep my protesting to online. Everything in the world is not horrible, so stop acting like it is.
2. Talk about things you love: Rutgers basketball, movies, Doctor Who, books. I try to keep my topics positive. I want to enjoy my time on the internet, not run to it when it's time to whine. The use of the word awesome brightens my day. (And not in the form of "Well, this is an awesomely bad idea.")
3. Observe the Two Week Rule: Ah, the 2 week rule. Just remember that anytime there's an internet controversy, it'll be forgotten about in 2 weeks. People will find other things to whine about. So, unless it's major (sayyyyy the Governor of NJ comes up with a loophole to turn all schools private in 8 seconds), it's very rarely worth spending a day and a half complaining about.
4. Odds Are, You Aren't Going to Fix It: You can spout off all you want. It ain't going to change because of the internet. You may be able to use the internet to save your favorite TV show. And people have used social media to organize. But complaining on the internet is like complaining to the mirror. Nothing's changing.
5. Be More Funny: Even when things bug me, I try to add a sense of humor to the situation. I'm sarcastic, but I try not to be mean (the couple of times I've been mean, I've gotten in trouble). Tell jokes, mock, be snarky... but don't just flat out complain.
I'm sure I've broken a few of these rules at times. Everyone does. But for the most part, keeping this in my mind helps keep me sane amongst the noise.
Monday, February 20, 2012
My take on Trestle and a few thoughts about Snubnose
A couple of weeks ago I had been pulling together some thoughts as a kind of State of the Union that I was going to send out to the Snubnose Press stable of authors. When the Trestle Press story broke I made it a priority to finish it. I did and sent it out pretty quickly and have also sent it out to others that we may be signing in the near future.
In some of the post-mortems and in some of the posts written while the story was unfolding I think that some, perhaps, unfair charges were level against them in an attempt to gain distance quickly and to show examples of why they thought Trestle was hinky from the start. Some of them were: they were a one man operation, they approached authors, they didn't edit, they have a crappy website. I don't think that there is a need to create other charges to level against Trestle because the core ones are bad enough. These charges were potentially unfair because they may be applicable to other operations.
In sending out the State of the Union letter primarily I wanted to have a certain level of transparency with my authors but I also wanted to address head on some of the concerns that arose as a result of Trestle being exposed.
So this week, I decided to use my post time here at DSD to take a portion of the State of the Union letter public while adding some new thoughts as well.
***
***
I'm always up front that Snubnose is a small operation. Other epublishers like Blasted Heath and Bare Knuckles have bigger operating budgets then we do. I'm not begrudging them that status and I love those guys. I think our stable of writers stands pound for pound with theirs and any others.
The bottom line is this. My door is always open. If there are ever any questions, comments or concerns don't ever hesitate to bring them to me. I said recently that you can tell a lot about a publisher by their response and I mean it.
Couple of Snubnose news items: Subs should be opening up again in a couple of months. We released our first novel, Hill Country by R Thomas Brown, last week. This week Old School by Dan O'Shea will drop. Every two weeks after that Nothing Matters by Steve Finbow, Cold Rifts by Sandra Seamans and The Duplicate by Helen Fitzgerald will all be released.
Currently listening - Alabama Shakes. Their ep can be streamed here and the full length album will be dropping soon and will be huge.
Currently reading - The Gamblers by Martin Stanley; Cutter and Bone by Newton Thornburg
In some of the post-mortems and in some of the posts written while the story was unfolding I think that some, perhaps, unfair charges were level against them in an attempt to gain distance quickly and to show examples of why they thought Trestle was hinky from the start. Some of them were: they were a one man operation, they approached authors, they didn't edit, they have a crappy website. I don't think that there is a need to create other charges to level against Trestle because the core ones are bad enough. These charges were potentially unfair because they may be applicable to other operations.
In sending out the State of the Union letter primarily I wanted to have a certain level of transparency with my authors but I also wanted to address head on some of the concerns that arose as a result of Trestle being exposed.
So this week, I decided to use my post time here at DSD to take a portion of the State of the Union letter public while adding some new thoughts as well.
***
One Man - One of the charges leveled at Trestle is that they were/are a one man operation. I think that this is unfortunate. As those of us that come from the crime short fiction scene know one man operations can fail or be successes, it just depends on the man. Snubnose is essentially a one man operation. While Jack and Sandra are co-owners I do the bulk of the work.
Until recently I worked for 6 years in the Accounts Receivable department for the book division of Diamond Comics Distributor. I worked multimillion dollar book store accounts going in one direction and with publishers going in the other direction. I was never under any false impressions of all of the things that went into running a press. It's a lot of work from editing and promoting to "office" things like monthly statements and making payments. It's hard work, but I knew it would be. I tell you this not as a way to show my bonafides but to show that I take all of this seriously.
Art - Snubnose has an art team that consists of Eric Beetner, Ben Springer, and Boden Steiner. Our covers are either original art/designs that were created by one of these guys or was used with art obtained from the web in a manner consistent with applicable rules and regulations. In other words we have credited where necessary; obtained permissions when necessary; and have had to pass on art because necessary permissions couldn't be secured in an equitable way.
Editing and Formatting - Another charge leveled against Trestle. Some manuscripts are going to require more editing then others. With short story collections if any of the stories have already been published I assume that they have been edited already so unless there is a factual mistake I don't do too much with them. I will always edit a manuscript to the best of my ability and as much as it needs. As far as formatting goes. If there ever is a concern with how Snubnose books are formatted please let me know. Related, I have a good eye for typos but still things slip through. If anyone ever sees a typo in a Snubnose book let me know. They are easily fixable with ebooks.
Soliciting authors - I regularly contact authors in an attempt to make sure that Snubnose Press is on their radar screens. I would be a fool too assume that everyone has heard of Snubnose so I work hard to touch base with people who probably haven't. If I read an ebook that was self published and I liked it I'll send the author a quick note saying so and to invite them to submit future works to Snubnose. I send authors emails when they make it publicly known that they have a manuscript and invite them to submit to Snubnose. These particular types of emails have resulted in Old Ghosts, City of Heretics, Andrew Nette's upcoming release and others. Perhaps the distinction is that I don't make promises and that I simply invite but an editor approaching an author isn't a bad thing.
Website - I'll be the first to admit that Snubnose doesn't have the best website. Since its inception Spinetingler's expenses have been paid for out of our pockets. We are trying to get to a point where book and magazine sales will fund Snubnose Press and Spinetingler so that we don't have to pay directly out of pocket any longer. One of the upgrades we can consider at that point is the website.
***
I'm always up front that Snubnose is a small operation. Other epublishers like Blasted Heath and Bare Knuckles have bigger operating budgets then we do. I'm not begrudging them that status and I love those guys. I think our stable of writers stands pound for pound with theirs and any others.
The bottom line is this. My door is always open. If there are ever any questions, comments or concerns don't ever hesitate to bring them to me. I said recently that you can tell a lot about a publisher by their response and I mean it.
Couple of Snubnose news items: Subs should be opening up again in a couple of months. We released our first novel, Hill Country by R Thomas Brown, last week. This week Old School by Dan O'Shea will drop. Every two weeks after that Nothing Matters by Steve Finbow, Cold Rifts by Sandra Seamans and The Duplicate by Helen Fitzgerald will all be released.
Currently listening - Alabama Shakes. Their ep can be streamed here and the full length album will be dropping soon and will be huge.
Currently reading - The Gamblers by Martin Stanley; Cutter and Bone by Newton Thornburg
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